从编创对象来讲,编导的创作无非就是传统舞蹈和现当代舞两大类题材,前者是中国舞蹈文化复兴的源头,需要从概念上认清。金泽在《宗教人类学导沦》一书中指出:“在人类社会中,空间的分割从来就不是纯粹物理的,它始终具有文化的意义,领土、疆界、城市、乡村……文化空间包括物理空间、社会空间、人文空间等,几乎包括了人类生活的所有方面。”美国人类学家罗伯特·雷德菲尔德在《乡民社会 In terms of compiling and creating objects, the director’s creation is nothing more than the two major themes of traditional dance and modern and contemporary dance. The former is the source of the rejuvenation of Chinese dance culture and needs to be clearly conceptualized. In his book, “Religious Anthropology,” Kanazawa pointed out: “In human society, the division of space has never been purely physical. It always has the cultural significance of territory, boundaries, cities, and villages ... Cultural Space Including physical space, social space, human space, etc., covering almost all aspects of human life. ”“ American anthropologist Robert Redfield in the ”rural society