“写实性”并不是西方艺术的专利,这正如“写意性”也不是中国画所独有一样,其实艺术的本质在中西方画家那里具有很大程度上的一致性与趋同性,对于中国画有没有“写实性”问题,我们持肯定的态度。但是,这种“写实性”与西方的“写实性”有一定的区别。然而西方自“印象派”以后,艺术开始由写实向表现发展,而中国自明代以后,逐渐由写意向写实转轨。而且,中国艺术的转轨并非空穴来风,而是有艺术史的基础,那就是中国古代绘画及其理论很早就注意到了“写 ”Realism “ is not a patent of Western art. Just as ”Freehandness “ is not unique to Chinese painting, in fact, the essence of art has a great degree of consistency and convergence among Chinese and Western artists, We have a positive attitude to the question of whether there is any ”realistic“ issue in Chinese painting. However, there is a certain difference between this ”realism“ and ”realism“ in the West. However, since the West started ”Impressionism “, art began to develop from realism to performance. Since the Ming Dynasty, China gradually shifted its form from freehand brushwork to realistic painting. Moreover, the transition of Chinese art is not groundless, but rather has the foundation of art history, that is, ancient Chinese paintings and their theories have long noticed ”writing