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本文以《神探夏洛克之消失的新娘》为例,探讨了精神分析美学在艺术作品中的迁移应用,从无意识理论、性本能等方面分析了电影的美学原理和美感来源。
Taking “the disappearing bride of Sherlock” as an example, this paper discusses the application of psychoanalytic aesthetics in works of art, and analyzes the aesthetic principles and sources of aesthetics from the aspects of unconsciousness theory and sexual instinct.