论文以“西方西洋通景画对清中期粉彩的影响”为研究焦点,针对西方西洋通景画的产生及概况及其在中国的传入,通景画技法在清中期粉彩装饰绘画中的多角度运用,通景画对清中期粉彩的影响渠道这三个问题展开研究分析。通过大量相关的具有代表性的案例,来对二者之间的关联性作概括性探究。 The thesis focuses on the influence of the Western Western landscape painting on the mid-Qing period pastel, in view of the appearance and general situation of the Western Western landscape painting and its introduction in China. In the mid-Qing period, the pastel decoration Multi-angle in the use of painting, Tongjing painting of the mid-Qing Dynasty pastel channels to study the three issues. Through a large number of related representative cases, the relationship between the two can be summarized.