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本人从事曲艺工作三十多年,对曲艺的诸多曲种颇为熟悉。最近十几年本人担当组织管理“曲艺之家”的工作,逐步对岔曲这门艺术形式开始关注,并深深地感到它是民族文化的瑰宝,凝聚着传统文化的精华,代表了历史的集体记忆,鲜活地反映了人民的生产与生活方式。故本人将通过此文从岔曲的渊源、岔曲民间票房及岔曲在北京西城文化馆“曲艺之家”的展演活动来进行对岔曲发展情况的阐述,同时愿就怎样对岔曲进行保护和传承与同仁进行交流。
I am engaged in folk art for more than 30 years, many of Qu style quite familiar. In the recent ten years, I have been in charge of the organization and management of “Home of Folk Art” and gradually began to pay attention to the art form of the Fine Art. I deeply feel it is the treasure of the national culture, the essence of the traditional culture, The historical collective memory vividly reflects the people’s production and way of life. Therefore, I will elaborate on the development of Chamex from the origin of Chameleon, Chaqu folk box office and Chaqu in the performance of Beijing Opera House To carry out protection and heritage to communicate with colleagues.