中国的玻璃艺术发展起步甚晚,从首创的上海大学美术学院玻璃艺术系算起至今未满二十载。时至今日,虽然玻璃工艺的技术已经不存在什么瓶颈,但是中国的玻璃艺术,无论在公众认知抑或是自身观念上,依然没有完全脱离“琉璃”式的工艺美术化的繁丽。从这个意义上说,中国美术学院副教授、艺术家郑闻卿,以玻璃拉丝作为主要的造型元素,以玻璃这一特殊媒材构建起与所处空间的抽象关系,并向感官上的“视、听”两端积极拓展延伸,则有力地突破了对于玻璃的“器”的桎梏,也突破了业界对于中 China’s glass art development started very late, from the first of the Shanghai University of Fine Arts Glass Art Department has not yet reached twenty years. Today, although there is no bottleneck in the technology of glass processing, the glass art in China is still not completely separated from the “glass-like” arts and crafts of both the public and the public. In this sense, Zheng Wenqing, an associate professor and an artist at the China Academy of Art, takes glass brushed as the main modeling element and constructs an abstract relationship with the space in which it is a special medium of glass. “Expansion of both ends of the positive expansion, it is a powerful breakthrough in the glass ” device ", but also broke through the industry for the