《堆满废稿的房间》是一首以诗论诗的作品,诗人用诗这种感性活泼的形式表达了理性的诗学观念。诗的开头即设置了“小林”这样一个人物,“她”是一个“24岁的姑娘”,她是一个诗人,会“挥霍语言”。“小林”是作者着意介入文本的一个人物,这个人物贯穿于始终,她与文本中的“我”一起在诗歌中形成互否,对抗共生与争辩,从而增加了诗歌内部的张力和包容力。这种双生互否的诗歌形式增强了诗歌的理性思辨色彩。 The room full of scrapbooks is a poetic poetic work, in which the poet expresses rational poetics in a sensuous and lively manner. The poem begins with a character such as “Kobayashi,” “a 24-year-old girl,” a poet who “spends her tongue”. “Kobayashi” is a character that the author intends to intervene in the text. This character runs through from beginning to end. She and her “I” in the text formed mutual opposition in poetry and increased the tension and tolerance within the poetry. This dual form of poetry or poetry enhances the rational speculative color of poetry.