论文部分内容阅读
20世纪80年代,于希宁开始用“才德勤修养,三魂共一心”来总结自己的艺术观和人生观,强调国魂、画魂、人魂的统一一虽然简短的一句话,却包含了艺术家艺术人生的深刻领悟和艺术境界的自我要求,从于希宁的艺术实践来看,其所坚持的“三魂共一心”的座有铭包含了丰富、具体而又深刻的意义,这事实上是一个画家与社会、自然及艺术之间辩证关系的综合体。既包含了画家对于家国天下的高度责任心及道德关怀,也包含了花鸟画中“天人合一”的情思与哲学境界,义包含了艺术家个体的自我提升。当人魂寓于国魂时,于希宁作为
In the 1980s, Xining began to summarize his view of art and outlook on life by emphasizing the unification of soul, painting soul and human soul. , But it contains the artist’s profound understanding of art life and the artistic realm of self-demand. From the artistic practice of Shining, his insistence on “Three Soul and One Heart” contains rich, concrete and concrete Profound meaning, which is actually a complex of the dialectical relationship between painter and society, nature and art. It includes not only the artist’s high sense of responsibility and moral concern for the world in his homeland, but also the emotional and philosophical realm of “harmony between man and nature” in the painting of birds and flowers, which embodies the artist’s individual self-improvement. When people live in the spirit of the soul of the country, in Xining as