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中国画以线作为基本造型手段。线条本身的运动感和美感,不断完善的平面上表达空间和结构的能力,使线描绘画具有生动和概括的特点,为传神写照提供了艺术表现上的最大自由。 运动是比较自由的,扩张则要受到一定的限制,两线相遇可交叉而过,面的扩张则要受到一面的阻碍。体积的扩张则更要受到空间各方面的压力。所以较之面和体、线本身的运动具有更大的自由。由于线本身所具有运动感,所以常常被中国画家用来表现流动的景物,如:浮云、流水、炊烟、
Chinese painting to line as a basic modeling tool. The sense of movement and aesthetics of the line itself, and its constantly improving ability to express space and structure in a plane make the line drawing vivid and generalized, providing the maximum freedom of artistic expression for vivid portrayal. Movement is relatively free, expansion is subject to certain restrictions, two-line encounter can be crossed, the expansion of the face will be subject to the one hand. Volume expansion is more subject to all aspects of space pressure. So compared to the face and body, the line itself has more freedom of movement. As the line itself has a sense of movement, it is often used by Chinese painters to show the flow of scenery, such as: clouds, water, smoke,