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一、“书画同源”书画同源:中国书画术语。意为中国绘画和中国书法关系密切,两者的产生和发展,相辅相成,唐代张彦远《历代名画记·叙画之源流》中第一次从理论上阐述了书画同源的问题。1、书画同“起”源对于书画同源这一中国艺术史的基本理论,其关注焦点在于对书画同源的“源”字作何解意,早期人们对书画同源的认识限定在“起源”之上,就是
First, “calligraphy and painting homology ” calligraphy and painting homology: Chinese calligraphy and painting terms. It means that the relationship between Chinese painting and Chinese calligraphy is closely related. The birth and development of the two are mutually reinforcing. For the first time in the Tang Dynasty, Zhang Yanyuan elaborated on the issue of the same origin of calligraphy and painting. 1, calligraphy and painting For the same origin of calligraphy and painting the basic theory of Chinese art history, its focus is on the homologous “ Knowing is limited to ”origin ", that is