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本文以15、16世纪的意大利和法国宫廷舞蹈为考察对象,旨在揭示文艺复兴时期芭蕾艺术得以孕育成长的精神土壤和文化环境,阐明文艺复兴时期宫廷舞蹈与人文主义理念之间的关系,以及在人文主义语境下宫廷舞蹈的审美标准和规范。
This article examines the palace dances of Italian and French in the 15th and 16th centuries in order to reveal the spiritual soil and cultural environment in which Renaissance ballet was able to nurture and grow and to clarify the relationship between the Renaissance palace dance and the notion of humanism and Aesthetic standards and norms of court dance in the context of humanism.