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在中国当代艺术的版图中,四川的当代油画可谓独树一帜,具有重要的历史地位。20世纪80年代初,四川美院在“伤痕”和“乡土”时期曾涌现出一批影响中国画坛的艺术家,由于他们的作品在风格和精神内涵的表现上有着某种相似性,因此当时的理论界将其统称为“四川画派”。实际上,在过去30多年的创作中,四川油画曾出现过两个高峰,一个是“四川画派”时期,时间大致是在1979年到1984年间,以高小华、程丛林、罗中立、何多苓等为代表,创作了《为什么》(1979)、《1 968年×月×日·雪》(1979)、《父
In the territory of contemporary Chinese art, Sichuan’s contemporary oil painting is unique and has an important historical status. In the early 1980s, Sichuan Academy of Fine Arts emerged as a group of artists influencing the Chinese painting circles in “Scratch” and “Native Land”. Because their works have some similarities in style and spiritual connotation , So the theory circles at that time referred to it as “Sichuan Painting School”. In fact, in the past thirty years of creation, there have been two peaks in Sichuan oil painting, one is the period of “Sichuan Painting School”, which was roughly from 1979 to 1984, with Gao Xiaohua, Cheng Conglin, Luo Zhongli, Duoling and other representatives, created the “why” (1979), “January 968 × month × snow” (1979), "father