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曹操是历史上的有名人物。在罗貫中的《三国演义》里,乡村街头的民間評話中以及戏曲剧种的舞台上,曹操的艺术形象,是家喻戶曉,任人皆知的。但几百年来,他是以奸臣賊子、盖世梟雄的大白臉的面貌留在人們心目中。而这次在話剧《蔡文姬》里的曹操,却截然不同。“宁教我負天下人,休教天下人負我”的乱世奸雄变成了“以天下之忧为忧,以天下之乐为乐”的賢明丞相,这就不能不引起观众莫大的兴趣,众目睽睽地等待着欣賞刁光覃同志在話剧舞台上如何塑造一个全新的曹操。如何正确評价曹操的問題伺在爭論,但在舞台上,这种替历史人物翻案的作法,是大胆的,艰巨的,不仅需要作家的見識和勇气,还需要演員的頑强与毅力。道理很簡单,要观众改变心目中已經活
Cao Cao is a famous person in history. In Luo Guanzhong’s The Romance of the Three Kingdoms, Cao Cao’s artistic image is well-known and well-known in the folk commentary on the streets of the country and on the stage of operas and operas. But for hundreds of years, he was left behind in the eyes of the traitors, priests and grandmasks. This time in the drama “Cai Wenji” Cao Cao, but completely different. “Ning taught me to take the world, Hugh taught the world to take me,” the chaotic male became “a world of worries for the world to the joy of music,” the wise prime minister, which can not but cause great interest in the audience, All eyes shyly waiting to admire Diao Guang Qin comrades in the stage how to create a brand new Cao Cao. How to correctly appraise Cao Cao’s question is controversial. However, on the stage, this act of reversing the historical figures is bold and arduous. It not only requires the writer’s knowledge and courage, but also needs the tenacity and perseverance of the actor. The reason is simple, to change the audience already live view