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新的一年中,本刊[设计批评]与[批评]两个交替出现的栏目将合而为一,今后统一以[批评]的栏目名称与读者见面。这种改变增加了栏目设置的灵活性,扩大了本刊在批评领域关注的范围,但并不意味着我们对于设计问题的关注度有所降低。相反,这样的栏目设置一方面仍然把设计纳入其中,甚至仍然是今后该栏目中最重点的选题领域之一,同时,也意在突出设计与其他美术门类之间的对话与互渗。本期特别约请邱振中教授,就理论家与实践家共同关心的一些问题进行访谈;而《也谈工艺美术与设计的距离》一文,则是对于此前本刊[设计批评]栏目文章的一种回应。相信本期为读者奉献上的内容,已经可以在某种程度上体现出我们所设想的学术视野。
In the new year, two sections of the journal, Design Criticism and Criticism, will alternate and the readers will be reunified with the title of [Criticism] in the future. This change adds to the flexibility of the column settings and expands the scope of our focus in the area of criticism, but does not mean that we are less concerned with design issues. On the contrary, the setting of such a section still incorporates the design on the one hand and is still one of the most important topic areas in the column in the future. At the same time, it also aims to highlight the dialogue and infiltration between design and other art categories. In this issue, Professor Qiu Zhenzhong is invited to interview some of the issues of common concern to theorists and practitioners. The article “On the Distance between Arts and Design and Design” is a response to the previous article “Design Criticism” . I believe this issue for the dedication of readers has been able to some extent, reflects the vision of our vision.