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5月16日下午,广东演艺中心,徽剧《惊魂记》上演。来自莎士比亚“四大悲剧”之一的《麦克白》与被誉为“京剧之父”的古老剧种徽剧在《惊魂记》中亲密接触,这一次洋酒换新瓶,观众不觉得水土不服,难以接受,反而为之喝彩倾倒。莎剧徽韵在《惊魂记》中相得益彰,笔者觉得最主要的原因在于:其一,抒情写意是中国戏曲的本质特征,抒情化的传统戏曲着力于细致展现人物在特定境遇中的心情;而莎剧《麦克白》恰恰是一出以心理描写而著称的命
On the afternoon of May 16, the Guangdong Performing Arts Center and the Hui drama “The Shame” staged. From the Shakespeare “one of the four tragedies ” of the “Macbeth” and known as “Peking Opera ” the ancient drama Hui drama in the “Cry of Soul” intimate contact, this wine for a new bottle, the audience is not Feel acclimatized, unacceptable, but applauded dumping. Shakespeare Yun in the “Shame” in each other, I think the main reason is that: First, lyrical freehand is the essential feature of Chinese opera, lyrical traditional drama focused on the detailed expression of the characters in a particular situation mood; and Shakespeare’s “Macbeth” is precisely the life of a known description of the life