话剧舞美造型手段日益多样化,框架结构、幻灯投影、几何景等等于今已不鲜见。但这里面也有一个如何避免盲目性,如何实现舞美造型手段与剧本思想内容、剧本风格和谐统一的问题。本文想就我团演出《真情假意》的舞美设计谈一点体会。《真情假意》是我团向上海人艺学习的剧目,该剧通过青年工程师于刚眼睛失明又复明的意外事件,展现了方家一对孪生姐妹的两种截然相反的情操,讴歌了真诚,鞭笞了虚伪,是一出富有时代气息的抒情喜剧。虽然是学习剧目,但也有一个在剧本提供的基础上进行二度创作的问题。经过对剧本的认真分析,我们抓住剧作所表现的“只有真诚才是美”的思想作为舞美设计总体构思的依据,确定舞台的基调是:简 Drama and the United States increasingly diverse modeling tools, frame structure, slide projection, geometric view, etc. is not uncommon today. However, there is also a question on how to avoid blindness and how to achieve the harmony between the means of theatrical works and the content of the script and the style of the script. This article would like to talk about my group performing “true feelings,” the design of the stage to talk about experience. “Truthfulness and Falsehood” is the repertoire in which my troupe learns to learn art from Shanghai. Through the accident of young engineers blindness and blindness in the eyes, the drama shows two diametrically opposite sentiments of the Fangs and their twin sisters, praising the sincere, Whipping hypocrisy, is a rich flavor of the times comedy comedy. Although it is a learning repertoire, there is also a question of second creation based on the script provided. After a careful analysis of the script, we seize the idea of ​​“only sincerity is beauty” in the play as the basis for the overall concept of the design of the stage design. The keynote of the stage is to determine: