一、道法自然画家进行艺术创作,须抛却世俗利害的得失,甘于寂寞,以沉静的心态进入明净的、自由的、自然的审美境界。画室外的世界丰富多彩,画室内则弥漫着画家进行艺术创作时的孤独情绪。面对社会上各种利益与机会的诱感,画家自我心态的平衡十分重要。文章千古事,得失寸心知。扪心自问,艺术创作究竟是为了什么?不少艺术家都深切地认识到,艺术对他们来说纯粹是一种精神的寄托,一种生命的家园。老子有“人法地,地法天,天法道,道法自然”之说,庄子也有“不食五谷,吸风饮露,乘云气,御飞龙,而游乎四海之外”的理想。从老子的“道法自然”到庄子的“逍 First, the Taoist natural painters must abandon the gains and losses of the worldly interests, be lonely, and enter a clear, free and natural aesthetic realm with a quiet attitude. The world outside the painting is rich and colorful, while the interior of the painting is filled with the loneliness of the painter during the artistic creation. In the face of all kinds of social interests and opportunities of the seduce, painter’s self-mentality balance is very important. Article eternal things, gains and losses knowing. Ask yourself what exactly is artistic creation? Many artists are deeply aware that art is purely a spiritual sustenance and a kind of life home for them. Lao Tzu has the idea of ​​“law, land, law, and Taoism naturally.” Zhuang Tzu also has the ideal of “not eating grains, sucking in the wind, riding on clouds of gas, flying away from the dragon but traveling outside the ordinary seas”. From Lao Tzu’s “Taoist Nature” to Zhuangzi’s "Xiao