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奏鸣曲Op.58,谐谑曲:速度、调性 我们继续谈到B小调奏鸣曲第二乐章。我注意到许多钢琴家把Trio弹得比前后两段慢得多,错误地预期了紧接而来的慢乐章,由此而减弱了它的效果。佩拉希亚说:“我认为你不可能用同样的速度来弹Trio。”然而1999年10月我出席了他在华沙的一场音乐会,他在这三段之间保持了几乎同样稳定的速度,而在我看来,整个乐章达到了更大的综合效果,而且比通常情况下,Scherzo和慢乐章具有更加明显的特性。佩拉希亚把Trio段落看作降C大调,而不是所标明的B大调,“因
Sonata Op. 58, Scherzo: Speed, tonality We continue with the second movement of the Sonata in B minor. I noticed that many pianists played the Trio much slower than the two before and after, mistakenly anticipating the ensuing slow movement, which weakened its effectiveness. “I do not think you can ever launch Trio at the same rate.” However, in October 1999 I attended a concert in Warsaw where he maintained almost the same level of stability , And in my opinion, the whole movement has achieved a much greater synergy and, as is usual, Scherzo and slow movement have more pronounced features. Peraxiya sees the Trio passage as falling C major instead of the B major as indicated