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陆贵山在《批评模式的张力与合力》(载《文学评论家》1990*4)论文中提出,不同的文艺观念和批评模式都导源于文艺的本质属性的三大系列。第一,从文艺的主体性和客体性的关系出发,归纳为主体性批评和客体性批评。前者注重文艺的主体因素,后者注重文艺的客体因素。二者都从自己的独特角度揭示了文艺本质的某些重要的内核和层面。文艺的本质应当理解为主体性和客体性的辩证统一。文艺批评应当具体而又巧妙地把握由主体因素和客体因素的复杂的结构作用所形成的“这
Lu Guishan put forward in his thesis “Tension and Cooperation of Criticism Mode” (contained in “Literature Critic” 1990 * 4). Different literary concepts and criticism models originate from the three major series of the essential attributes of literature and art. First, starting from the relationship between subjectivity and objectivity of literature and art, it is summarized as subjectivity criticism and objectivity criticism. The former emphasizes the main factor of literature and art while the latter emphasizes the objective factor of literature and art. Both of them reveal some important kernels and aspects of literary and artistic essence from their unique perspectives. The essence of literature and art should be understood as the dialectical unity of subjectivity and objectivity. Literary criticism should be concrete and clever grasp of the complex structure of the main factor and the object factor formed by the "