市场机制和手艺的逻辑是一致的,消费者是衣食父母,消费者的需求决定生产者的生产。我比较喜欢京剧,但是,京剧的现状实在令人担心。但最近几年郭德纲的走红,似乎让人对京剧的未来重抱一线希望。相声曾经与目前京剧的状况一样悲惨,不过,有了郭德纲,我们就知道,世间其实有两种相声:官办相声与传统相声。1990年代以来衰落的不是传统相声,而是官办相声。 The logic of market mechanisms and craftsmanship is consistent. Consumers are well-fed parents, and the needs of consumers determine the producer’s production. I prefer Beijing Opera, but the current situation of Beijing Opera is really worrying. However, the popularity of Guo Degang in recent years seems to give people a glimmer of hope for the future of Beijing Opera. Crosstalk had been as miserable as the current state of Peking Opera, but with Guo Degang, we knew that the world actually had two kinds of comic dialogues: comic dialogue and traditional comic dialogue. The decline since the 1990s is not traditional crosstalk, but the official comic dialogue.