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先秦时期,虽然具有独立品格的书法理论还没有出现,但书法文化的整体环境已经形成,这不仅表现在泛文艺领域美学思想的渐趋觉醒,而且更显著地表现在“六书”理论体系的形成,后者在很大程度上构成书法理论的滥觞。
Although the calligraphic theory with independent character has not appeared yet in the pre-Qin period, the overall environment of calligraphic culture has been formed not only in the awakening of aesthetics in pan-literary arts but also more significantly in the formation of the theoretical system of the Six-Book , Which to a large extent constitute the origin of calligraphy theory.