闻一多:新诗格律与古典律诗的三点不同闻一多1926年所写的《诗的格律》,数十年来一直被视为现代格律诗理论的奠基之作。不论赞同还是质疑,研究者大都津津乐道于他所提出的现代格律诗的“三美”理论,但很少有人关注闻一多对新诗格式与古典律诗提出的三点区别。在我看来,这是长期被诗界忽视的新诗格律化的重要理论之一。1921年,闻一多为清华文学社作《诗歌节奏的研究》报告。1922 Wen Yiduo: Differences between New Poetry Rules and Classical Law Poems Wen Yiduo’s “Rules of Poetry” written in 1926 have for decades been regarded as the foundations for the theory of modern metrical poetry. Regardless of whether they approve or not, most of the researchers talked highly of the theory of “three beauties” in his modern metrical verse, but few concerned Wen Yiduo about the three differences between the new poetic form and the classical one. In my opinion, this is one of the important theories that has long been disregarded by poetry circles to standardize the new poetry. In 1921, Wen Yiduo for Tsinghua Literature Society “Poetry Rhythm Research” report. 1922