一1989年,福建省第二届盆景展览在泉州举办,这是我迷上盆景后第一次有机会观摩全省性作品。在记忆中,是著名榕树盆景《凤舞》的原作者杨吉章先生通知我这个消息,同时还捎来口信,要我参观前先与他见面,虽然没说明原因,但语气中似有重要的事。我如约而至。老人一见面,寒暄都顾不上,马上领我去展场,来到一组小型作品前站住。很多年后回忆起来,依然无法忘记当时面对这组小品内心的震撼。一瞬之间,我忽然有一种很真实关于盆景的艺术感觉。我后来给这位作者同类作品写短评时,用清人王廷相“摆脱形模,凌虚结构”的话来概括它的个性,也许这样的概括有欠全面,但作者有非同寻常 In 1989, Fujian Province, the second bonsai exhibition held in Quanzhou, this is the first time I was fascinated by bonsai have the opportunity to observe the province’s works. In memory, is the famous Banyan bonsai “Fung Mo,” the original author Mr. Yang Jizhang informed me the news, but also along with the message, to see him before I visited him, though did not explain the reasons, but the tone may seem important . I come as promised. As soon as the elderly met, they could not attend to the greeting. They immediately took me to the exhibition hall and stopped before a group of small works. Many years later recalled, still can not forget the face of this group of essays inner shock. Suddenly, I suddenly have a very real artistic feeling about the bonsai. Later on, when I wrote a short review on the same kind of work by this author, I summarized the individual’s personality in the words of Wang Tingxiang, “Out of Form, Lingxu Structure.” Perhaps such a generalization is not comprehensive, but the author has something extraordinary