现代主义艺术家抛弃传统的创作媒介,利用一切材料和手段,经过二战前富有创造力的四十年,为我们留下闪光的记忆。层出不穷的艺术实验,对传统模式的反叛,这些努力都释放出巨大的能量,为艺术世界送来自由的气息。这一时期的杰作已成为20世纪的经典:对任何方法、技术都不能长期满意的毕加索;现代音乐传奇人物斯特拉文斯基;即兴起舞的邓肯;对世界文坛影响巨大的乔伊斯……不过,一旦艺术以创造性、实验性为鹄的,很快就被迫以时间先后为标志并一下子走到反叛的尽头。任何传统的积淀都像是喜马拉雅山的形成,是时间的累积,反叛则以速度著称,要和时间赛跑。世界上并没有那么多东西可以去反叛。随着新创造成为新传统、新规范,也很快就被反 By abandoning the traditional creative media and using all the materials and means, modernist artists left us with flash memories through the creative forty years before World War II. An endless stream of art experiments and rebellions against the traditional model have all given up their enormous energy to give the world a free atmosphere. The masterpiece of this period has become a classic of the 20th century: Picasso can not be long-term satisfaction of any method, technology; modern music legend Stravinsky; improvisational Duncan; Joyce, a great influence on the world literature ... However, once art is creative and experimental, it is soon forced to mark the passage of time and at once to the end of the rebellion. Any traditional accumulation is like the formation of the Himalayas, is the accumulation of time, the rebel is known for its speed, to race against time. There is not so much in the world that you can go rebellious. As new creation became a new tradition, the new norm was soon reversed