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视唱练耳的好与坏是一个人音乐素质好与坏的体现。视唱练耳教学是读谱视唱和音乐听觉辨析能力的训练,这两个方面是相互渗透、相互影响、相辅相成的。在平时的训练中,我们要有意识地积累音乐素材,广泛地了解不同风格、不同题材的作品,而这种情绪积累得越多,对音乐的情感体验就越丰富、越深刻、越强烈。只有把情感融入到视唱练耳中,才能收到事半功倍的教学效果。
The good and bad of solfeggio are the manifestation of the good and bad quality of a person’s music. The solfeggio training is a training in the ability to read music and listen to music and listen to it. These two aspects are mutual infiltration, interaction and complementarity. In normal training, we must consciously accumulate music material, to understand a wide range of different styles, different themes of the work, and the more this emotion accumulated, the emotional experience of music more rich, more profound, more intense. Only the emotion into the solfeggio, in order to receive a multiplier effect of teaching.