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《戈雅》—文译自文艺评论家斯塔洛宾斯基(Jean Starobinski)的论文集《1789年,理性的标志》。作者在本书开头说:“1789年在欧洲政治史上是一条分界线。在艺术风格的更替上它是否也划出一条界线呢?”作者在这收集了十四篇有关大卫、戈雅、莫扎特等艺术家的论文集中回答了这个问题。这个时期正当洛可可风格的衰落,代之而兴的是新古典主义和前浪漫主义风格,作者以渊博的知识对18世纪末人们借以理解和导引的世事的形象、神话和标志加以剖析,论证周密,剀切详明,有助于我们对那个时代的认识。
“Goya” - Manuscript translated from the literary critic Jean Starobinski’s essay “The Sign of Reason, 1789.” At the beginning of the book, the author states: “In 1789, the political history of Europe was a demarcation line, and whether it delineated a line of artistic change?” Here, the author collected fourteen articles about David, Goya, The papers of Mozart and other artists focused on this question. During this period, just as the decline of Rococo’s style replaced neo-classicalism and pre-romanticism, the author analyzed and illustrated the images, myths and signs of the world people understood and guided by the late 18th century with profound knowledge Well-thought-out details are helpful to our understanding of that era.