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要感谢20世纪60年代初,越南磨漆画首次在中国展出,这是越南用传统漆艺与现代绘画相结合后积累30年产生的艺术成果。这给当时围观的中国艺术家们带来了一束光。他们开始回首中国历史长河里已经闪耀了几千年的传统漆艺技法,然后不断从民间艺术中汲取养分,并赋予其崭新的构想和独特的创造力。这些努力,最终达成在漆板上表现现实生活,传达现代观念,终于使中国的漆画脱胎成为一个新的独立画种。
We would like to thank Vietnam for the first time in the early 1960s that the painting of Vietnamese lacquer painting was exhibited in China. This is the result of 30 years of artistic achievements accumulated by Vietnam after its combination with traditional and modern paintings. This brought a crowd of Chinese artists who were onlookers at the time. They began to look back at the traditional lacquer techniques that have shined for thousands of years in the long history of China and then constantly absorb nutrients from folk art and give them new ideas and unique creativity. These efforts culminated in the realization of real life on the lacquer plate, the transmission of modern concepts, and finally the birth of China’s lacquer into a new independent painting.