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在新中国少数民族题材创作大潮中,黄胄是最为值得研究的一个艺术个案。他不仅是新中国少数民族题材创作的代表性画家,引导了新中国少数民族主题画创作的潮流;此外,他在新中国成立前就已深入西北边疆,后又扎根大西北生活,他在少数民族题材绘画上的创作表现,已超越了当时时代要求的“主题”性创作,而开创出一个具有鲜明个人审美视角的民族“风情”时代。为此,对于黄胄民族绘画价值的审视,不能脱离两条线索:一
In the tide of the creation of new ethnic minorities in China, Huang Zhi is the most worthy of study of an art case. He is not only a representative painter for the creation of new ethnic minorities in China, but also guides the tide of the thematic painting of the ethnic minorities in new China. In addition, before he founded China, he had already penetrated into the northwestern frontier and later took root in the northwestern part of China. The creative performance on the painting of ethnic themes has surpassed the “theme ” creation required by the time, and created a nation “style ” era with a distinctive personal aesthetic perspective. For this reason, we can not get rid of two clues about the value of Huangpi’s national painting: