常言道:“不会练琴就不会演奏”。可见,练琴的方法与效率是直接影响演奏质量的问题,值得深入研究。通常有两种不科学的练琴方法:一是按演奏时的力度、速度、触键、表情等要求,一遍又一遍地练习全曲或一长段。这种方法不仅易疲劳紧张,而且效率低,提高慢。据说,帕格尼尼在演奏时是那样热情奔放、激动人心,而练琴时却经常轻得连站在窗外的人都听不见。也许,讲究练习方法的科学性正是他成功的一个秘诀。二是把练琴当作一种纯机械的动作或纯生理训练的“体力劳动”,而盲目死练。教师往往爱对学生说:“回去练一千遍”!这句话强调下苦功的精神是好的。但若不研究练琴的方式方法,只是盲目死练,不一定会得到好效果。舒 As the saying goes: “can not play without a piano”. Can be seen that the method and efficiency of practice is a direct impact on the quality of the performance issue, it is worth further study. There are usually two unscientific practice methods: one is practicing the whole song or a long section over and over again as required by the tempo, speed, touch, expression and so on. This method is not only easy to fatigue, but also inefficient, slow increase. It is said that Paganini was so passionate and entertaining in his performance that he could not even hear those who stood outside the window while practicing the piano. Perhaps, it is the secret of his success that the science of paying attention to the method of practice. The second is to practice the piano as a purely mechanical action or purely physical training “manual”, and blindly die practice. Teachers often love to say to students: “go back and practice a thousand times!” This sentence emphasizes the spirit of hard work is good. However, if we do not study ways and means of practicing the piano, we will only blindly practice and will not necessarily achieve good results. Shu