近年来,中国美术界对’85美术新潮及其相关的美术现象极为关注,但有一个重要问题几乎被忽略:’85新潮是怎么发生的?从发生学的角度来看,任何文化现象总是与其历史语境有着千丝万缕的关系。今天,当我们追溯那些伴随’85美术新潮涌现出来的各种艺术团体,如厦门“达达”、杭州“池社”、“西南艺术群体”、“北方艺术群体”时,更加坚信民间立场、野地状态和野生力量的重要性。也更加深 In recent years, the Chinese art world has drawn a great deal of attention to the trend of ’85 art and its associated art phenomenon. However, one important issue has been overlooked: ’85 How did it happen? From an episodic point of view, any cultural phenomenon is always With its historical context is inextricably linked. Today, when we trace back to those artistic groups emerging along with the ’85 Art Trendy, such as Xiamen Dada, Hangzhou Pool Society, Southwest Art Group, Northern Art Group, ", We are more convinced of the importance of civil positions, state of the wildlands and forces of the wild. Also deeper