2004年3月,我写完《西夏史诗》的尾声《贺兰之乐》,从而放下背了十年的重负。一种从未有过的轻松流在血管,脚下生风,双臂如翼;可那种陪伴我十年的充实荡然无存,恍然若梦,身心俱空。《西夏史诗》已经与我无关,我不过是进行了一次心灵的接近,一次从希望到绝望的触摸。期间,我想写自己当年选定的两个题材,一是楼兰,写人与自然的关系;另一是丝路,写人与世界的关系。但都因为缺乏写《西夏史诗》时的野心 In March 2004, I finished writing “The Music of Helan” at the end of “Western Xia epic”, thus putting aside the heavy burden of ten years. A kind of flow that has never been easy in the blood vessels, the foot of the wind, arms like wings; can be accompanied by the kind of enrichment of my decade gone, suddenly if the dream, physical and mental empty. “Western Xia Shi” has nothing to do with me, but I just conducted a spiritual approach, a touch from hope to despair. In the meantime, I would like to write two selected themes of my choice. One is Loulan, the relationship between man and nature, and the other is the Silk Road, which writes about the relationship between man and the world. But all because of the lack of ambition when writing The Western Xia Shi