前不久,一群号称“行为艺术家”的人在中国一些城市中表演所谓“行为艺术”,即钻死牛肚子、吃死婴儿、和驴子结婚以及某些看上去像是自虐似的行为,如在身上刻上身份证号码等等,引来了众多议论,我想有必要从文艺心理学和社会历史背景两个角度对其加以分析。关于行为艺术,争论由来已久,最近,中国画研究院研究员陈 Not long ago, a group of so-called “performance artists” performed performances of so-called “performance art” in some Chinese cities, such as the death of a cow’s stomach, the death of a baby, the marriage of donkeys and some seemingly self-inflicted acts, Engraved ID number, etc., attracted a lot of arguments, I think it is necessary from the psychology of literature and art and social and historical background of the two angles to be analyzed. The controversy has long existed about performance art, and recently, researcher Chen of the Chinese Painting Academy