本文主要研究中西视域下中国绘画批评的现代探寻之路。以中西比较的视角,结合个案考察,在对“中西融合”“传统演进”两条路径展开详细探究的基础上对中西绘画美学思想的差异性进行论证。在“中西融合”这条路径的论述中主要以融西方写实表现手法入中国传统绘画的徐悲鸿、将西方现代表现手法与中国民间美术形式相结合的林风眠等为例;在“传统演进”的论述中则主要考察了提高传统画地位的陈师曾、黄宾虹、潘天寿、齐白石等画家的实践及其绘画批评理论。 This paper mainly studies the modern exploration of Chinese painting criticism under the visual field of China and the West. Based on the comparative perspective of China and West and the case study, the differences between the aesthetics of Chinese and western painting are demonstrated on the basis of the detailed exploration of the two paths of “Chinese-Western Fusion” and “Traditional Evolution”. In the discussion of “Chinese-Western Convergence”, Xu Beihong mainly focuses on integrating the Western realistic painting techniques into traditional Chinese painting, with Lin Fengmian et al. Combining the western modern techniques with the Chinese folk art forms as examples. In the “traditional evolution ”Discusses mainly the practice of painters such as Chen Shizeng, Huang Binhong, Pan Tianshou and Qi Baishi to improve traditional painting and his theory of painting criticism.