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本篇论文通过对三位艺术家的创作观念、油画技法的运用进行同与异之间的比较,但它并不是简单地比较哪位艺术家技法更高明,其实它们之间并没有可比性。其主要目的就是提出一个文化现象,如他们是怎样在上个世纪九十年代突破和发展了中国具象写实油画,所以本文详细地分析它们具体的技法细节,从深层次剖析了三位艺术家怎样拓展写实性绘画语言和新的思维与视点。
This essay compares the similarities and differences between the three artists’ ideas of creation and the techniques of oil painting. However, it does not simply compare which artist is more sophisticated, but in fact they are not comparable. Its main purpose is to propose a cultural phenomenon, such as how they broke through and developed Chinese realistic portrayals of oil painting in the 90s of the last century. Therefore, this paper analyzes in detail their specific technical details and analyzes how the three artists expand Realistic drawing language and new thinking and viewpoint.