一提起木刻,常有人说是以黑白为正宗。木刻给人以一个油腻腻的小幅黑白画的印象,这是过去的事了。如果你看过江苏水印彩色木刻,自然会矫正这种看法。 本来水印木刻是中国古代木刻的传统印刷法,大约已有一千年以上的历史了。但是到了明末清初,才发展彩色水印的技术。那时有个著名画家胡正言,与刻版及印刷师傅合作,创造了“饾版”,于天启七年 Mention woodcut, often say black and white as authentic. Woodcut gives the impression of a greasy black and white painting, this is the past. If you read Jiangsu watermark color woodcut, will naturally correct this view. Originally watermark woodcut is the traditional printing method of woodcut in ancient China, about a thousand years old. However, until the late Ming and early Qing dynasties, only the development of color watermarking technology. At that time, there was a famous painter, Hu Zhengyan, who co-operated with engraving and printing masters to create a "