审美的批评家把他所应接到的一切物象,一切艺术作品,自然与人生的较优美的表形,看作各能或多或少地生出特殊的或独到的快感的势力或威力。他感受到这种影响,他希望用分析和还原的方法去说明。……审美批评家的职务便在于表明、分析、净化出这种特质,凡是一张画、一种风景、一个生存的或书上的美的人格所借以生出特殊的“美”或“快乐”的印象的特质,在于指出那个印象的源泉是甚么,并在甚么状态之下经验到那个印象。当他把那种特质解析清楚,而且记 Aesthetic critics regard all the objects he should receive, the more beautiful appearances of all works of art and nature and life, as the forces or power that each can produce more or less special or unique pleasures. He felt this impact, he hopes to use analysis and reduction methods to illustrate. ... The role of aesthetic critics is to show, analyze and purify this trait that any special “beauty” or “pleasure” of a painting, a landscape, a living or a book, is born The characteristic of the impression is to point out what the source of the impression is, and under what conditions it experiences the impression. When he parses that trait clearly, and remember