元代書法家趙孟頫仕途中的每一次“告病閑居”都成為其藝術創作的高產期,而發生在元大德十年(1307)的告病辭官,閑居閭里時期,正處于元代浙杭歷史上最為黑暗的饑荒和瘟疫期,趙孟頫的大量作品也正是在這一背景下創作完成。本文從“丁未大梗”“戊申大疫”與“需次泰州”三個角度,封趙孟頫這一時期的書法作品進行了考辨,通過對這些作品的考辨,對趙孟頫這一時期的生活狀况、書法創作心態等進行了深入的剖析。 Zhao Meng-fei, a calligrapher in the Yuan Dynasty, became a high-yielding art production in his career on every occasion of his career, and resigned in the midst of his ten years (1307) of Yuan Dade. On behalf of Zhejiang and Hangzhou in the history of the most dark famine and the plague period, a large number of Zhao Mengfu works is precisely in this context to complete the creation. This article examines the calligraphic works during this period from the perspective of “Ding Wei Dazhong” and “Taishu” and “Dezhou Taizhou”. Through the examination of these works, Zhao Mengfu’s living conditions during this period, calligraphy creation mentality were analyzed in-depth.