中国绘画作为民族的优秀文化,其中蕴涵对创作主体情、意的感性表达;客体形、神的主观观照;本体笔墨的规范运用,以此作为中国绘画形式、意蕴、境界的综合诉求,即绘画品位的评判标准。其语言承载着民族文化、心理的历史情结,是传承、交流、沟通的形式工具;而形态则成为赏心悦目的官能享受、高古平庸的物化显现。意境则成为“天人合一”、“物我两忘”、虚空浩渺的无尽遐想。品位则成为主体人格、品藻的综合写照与缩影。源于深层的生命意志活动,蕴涵了创作主体对本土民族文化的积累与理解,艺术作品 Chinese painting, as an excellent culture of the nation, implies the emotional expression of the feelings and meanings of the main body of the creation; the objective form of the object and the subjective view of God; the normative use of the noumenal ink and brush as the general appeal of Chinese painting form, meaning and realm, Grading standards. Its language carries the history and culture of the national culture and psychology, which is the formal instrument of inheritance, communication and communication. However, the form becomes the pleasing functional enjoyment and the appearance of mediocrity in ancient times. Artistic conception has become “harmony between man and nature”, “I have two forgotten,” vast sky endless reverie. Quality is the main character, a comprehensive portrait portraits and microcosms. From the deep life will activities, contains the accumulation of the main body of the national culture and understanding, works of art