新时期以来,中国当代的美术实践活动在二十多年的时间里,把西方兴起的现代美术的风格流派演绎了一个循环。在这你方唱罢我登场的美术实践中,美术创作显得红红火火。面对急遽变化的美术实践,美术的理论界除了在美术批评上对美术实践起到了推波助澜的作用外,美术理论自身却显得比较沉闷,缺乏应有的建树。造成这种现象的原因是多方面的,其一是以为美术批评就是美术理论,没有把美术批评和美术理论区别开来;其二,更多 Since the beginning of the new era, the practice of contemporary Chinese art has, in more than two decades, interpreted a cycle of the genres of modern art in the West. In this art practice where you sing my debut, art creation is booming. In the face of rapid changes in art practice, apart from art criticism on art practice, art theory has played a role in fueling the art practice. However, the art theory itself appears dull and lacks the due contribution. There are many reasons for this phenomenon. One is that art criticism is art theory, art criticism is not distinguished from art theory. Second, more