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本论文拟通过对《蒙求和歌》中“说话文”与《蒙求》古注进行对比分析,找出其内容、表现手段等方面的异同,逐一剖析这些异同产生的原因,并深入挖掘和歌表现与“说话文”词句之间的对应关系,进而阐释作者的创作意图和创作手法。在《蒙求和歌》中,“说话文”虽以汉文训读体写就,但却绝非是单纯对汉文进行训读的训读文,而是充分照顾到和歌创作传统等和文文脉的和汉混合文。因此,从这个角度讲,“说话文”在这部作品中起到了至关重要的作用,它上承标题,下启和歌,以汉文训读体这种独特的语体架起了沟通和汉两种语文的桥梁。
This thesis aims to find out the similarities and differences between content, means of expression and other similarities and differences through the comparative analysis of “sayings ” and “Mongolia seeking” Excavating the corresponding relationship between performance of songs and “words ” expressions, and then explain the author’s creative intent and creative techniques. In Mongolian Praise song, although its writing style is written in Chinese training style, it is by no means a training text that is not only for reading Chinese, but also takes full account of traditional writing practices such as harmony and writing Pulse and Han mixed text. Therefore, from this point of view, “speech ” plays a crucial role in this work. It captures the title, starts with the song and initiates the communication with this unique style of Chinese training body And Han Chinese two bridges.