由迈克尔·鲍威尔执导,于1948年上映的英国电影《红舞鞋》曾获得第21届奥斯卡最佳影片的提名。单纯从剧情主线来看,《红舞鞋》似乎是有些单薄的,然而电影《红舞鞋》有些类似中国的《霸王别姬》,它与安徒生的童话《红舞鞋》形成了一种嵌套结构,或者叫“回状叙事”。童话是故事中的故事,但是与外层故事又有着许多对应之处。本文从渎神概念的嵌套、诱惑主题的嵌套、故事结局的嵌套三方面,浅析《红舞鞋》的艺术魅力。 Directed by Michael Powell, the British movie Red Shoes, released in 1948, was nominated for the 21st Academy Award for Best Picture. Purely from the main point of view of the plot, “red shoes” seems a bit thin, but the movie “red shoes” somewhat similar to China’s “Farewell My Concubine”, it and Andersen’s fairy tale “red shoes” formed a kind of embedded Set of structures, or called “back to the narrative ”. A fairy tale is a story in the story, but there are many correspondences with the outer story. This article analyzes the artistic charm of “Red Shoes” from three aspects: the concept of blasphemy, the theme of temptation and the nesting of story.