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施蛰存的《梅雨之夕》以伞为媒介给读者展现了两个不同的世界,一个是伞外的都市现实世界,一个是伞内的心灵与幻想的世界。主人公在有限的时间,短暂的路程中经历了幻想与现实两个世界及其相互渗透的复杂心理路程。一把伞使主人公从快节奏的都市世界的压抑中解脱出来,进入伞下回归心灵的安宁自在的世界,但现实的社会规范却不时扰乱着这暂时的安宁。他既不能真的回归田园生活又不能与靠以安身的都市决裂,在矛盾和无奈中,他探索出了一条身在都市心向田园,回归传统的中间道路,以获得心灵的安宁。
Shizhecun’s “Rainy Day” uses umbrellas as media to show readers two different worlds, one is the urban real world outside the umbrella, and the other is the world within the umbrella of the soul and the fantasy. During a limited period of time and a short journey, the hero has experienced two complex worlds of fantasy and reality, as well as the complex psychology of mutual infiltration. An umbrella relieves the protagonist from the repression of a fast-paced urban world and returns to a tranquil, self-contained world under the umbrella. However, actual social norms disturb the temporary peace from time to time. He can neither really return to the pastoral life nor break with the city where he lives in peace. In contradictions and helplessness, he has explored a middle road in which the city is bent on the countryside and returned to tradition in order to gain peace of mind.