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在巴比肯馆举行的英国画家斯坦利·斯潘塞(1891—1959)画展于4月1日闭幕。此次大型画展将俗人和圣人,生者和死者,肉体和灵魂的世界以出人意料的、特殊的、动人心弦的方式融会一体。举办人将4月1日(愚人节)作为画展的截止日期也是下意识安排的。因为斯潘塞确实被认为是英国美术界的一个非凡的愚人。画展是为纪念斯潘塞诞辰100周年而举办的。展出作品乃画家生前梦寐以求但并未如愿以偿的理想之部分实现。画展的副标题为:爱情之神化。斯潘塞的灵感来自两方面:他对爱情的看法以及被他称之为“大教堂”的未完成的绘画工程。1934年一本
The British artist Stanley Spencer (1891-1959), which was held at the Barbican, closed on April 1. This large-scale exhibition brings together the world of laity and saint, of the living and of the dead, of the flesh and of the soul, in a surprising, special and moving manner. Organizers will April 1 (April Fool’s Day) as the deadline for the exhibition is also subconsciously arranged. Because Spencer is indeed considered an extraordinary fool in the British fine arts world. The exhibition was held to commemorate Spencer’s 100th birthday. The work on display is an ideal part of the painter’s dream but unfulfilled. The subtitle of the exhibition is: Deification of love. Spencer’s inspiration comes from two aspects: his view of love and what he calls the “cathedral” unfinished painting project. 1934 a