中国现代文学批评史著作的编写,对“文学批评”边界的认识从广义走向狭义,批评本身越来越受到重视;在断代问题上,上下限的不断延伸,是对文学批评自身现代性追索的结果;在分期问题上,已形成相对稳定的时期观念,但对各时期的不同定义方式则反映出认识角度的差别;史料的整合从简单走向复杂,研究视角从单一走向丰富,越来越显示出“论”史的特征。 The writing of the history writings of Chinese modern literary criticism, the understanding of the boundary of “literary criticism” from broad to narrow, and the criticism itself have drawn more and more attention. On the issue of the dynasty, the continuous extension of the upper and lower limits is a tracing of the modernity of literary criticism ; The staging of the issue has formed a relatively stable concept of the period, but the different definitions of the various periods reflect the differences in understanding perspective; the integration of historical data from simple to complex, the research perspective from a single to rich, more and more It shows the history of “theory”.