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中国油画是来自于西方的油画,但是在审美上又有别于西方,因中国油画的主体与审美具有一定的本土文化融入,造就了中国油画在审美形态上独树一帜,成为新的文化生态系统,在审美形态研究学中,当下情态与历史文化构成了研究背景,历史的演变造就了中国油画既往的传统与变化,几百年来通过不断的学习与模仿西方油画并对其进行变异与创新,这一过程使中国油画有了审美观念与语言层面上更加自主的选择。中国油画通过历史的选择形成了传统写实、意象以及表现两种类型的作品,使两种审美形态共同组成了中国油画的基本概念,本文对中国油画审美形态在发展与创新、多元化格局以及中国油画的成就等方面进行深入分析,研究比较视域下的中国油画审美形态。
Chinese oil painting is a painting from the West, but it is different from the West in the aesthetic sense. Due to the incorporation of the local culture into the main body and aesthetic of Chinese oil painting, Chinese oil painting has become unique in its aesthetic form and has become a new cultural ecosystem. In the study of aesthetic morphology, the current situation and history and culture constitute the research background. The historical evolution has created the traditional traditions and changes of Chinese oil painting. For hundreds of years, through continuous study and imitation of Western oil paintings and their variation and innovation, This process gives Chinese oil paintings a more autonomous aesthetic choice and linguistic level of autonomy. Through the choice of history, Chinese oil painting has formed two kinds of works of traditional realism, imagery and expression, which make the two kinds of aesthetic forms the basic concepts of Chinese oil painting. This paper analyzes the development and innovation of Chinese oil painting aesthetic form, diversified structure, Painting achievements and other aspects of in-depth analysis to study the comparative field of Chinese oil painting aesthetic form.