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1917年新文化运动的发生掀起了新旧文学的对立抗衡,历史悠久的古典文学被推到了“旧”的位置,以此树立“五四”新文学自我的全新地位。二元对立模式的展开与纠缠彰显了新文学坚决捍卫自己立场的绝对排他性,以及中国现代文学发展流变的复杂性。本文试图展开新旧文学二元对立的历史图景,以此探讨新文学的强势立足。
The occurrence of the new cultural movement in 1917 set off the antagonism between old and new literature, and the long history of classical literature was pushed to the position of “old” to establish a new status of “May Fourth” new literature. The unfolding and entangling of the binary opposition mode demonstrate the absolute exclusivity of the new literature in resolutely defending its position and the complexity of the development and evolution of modern Chinese literature. This article attempts to expand the historical dualism between old and new literature to explore the strong foundation of new literature.