论文部分内容阅读
以目连戏为代表的越地民间艺术(包括民间神话、传说、故事、民间美术与绘画、小说、杂览等)与民俗活动,在其漫长的岁月中聚合了越地丰富的历史文化与艺术因素;同时作为底层民众的创造并以底层民众作为主体的民间文化,在人与鬼的沟通与交融中反映着普通民众的理想、愿望与情趣。从小就受到这一文化熏陶的鲁迅不仅从中吸收了流淌其间生生不息的文化精神血脉,而且为他日后的文学艺术创作积累了丰富的素材。
The folk arts (including folk myths, legends, stories, folk art and paintings, novels, miscellaneous books, etc.) and folk activities represented by the MENGLIANXU play an integral part in their long years of gathering the rich historical culture and culture Artistic factors. At the same time, the folk culture, which is created by the bottom people and composed mainly by the bottom people, reflects the ideal, desire and interest of ordinary people in the communication and blending between man and ghost. Lu Xun, who was influenced by this culture from an early age, not only absorbs the endless stream of cultural spirits flowing through it, but also accumulates rich material for his literary and artistic creation in the future.