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“追醉逐梦”是晚唐五代大多数文人的共同心态,“醉梦词”由此而大量产生,成为词坛的一道特殊风景。毋庸讳言,这些词严重脱离社会生活,反映了时代精神的颓废流宕,在艺术上也显示出惊人的局限性和狭隘性。但在批判之余,我们也必须承认,词人借醉乡梦境吐露出的某些真实情感以及由此构筑的特殊艺术境界,就象蚌病成珠那样,毕竟具有着一定的思想意义和审美价值,因此未可一笔抹杀。晚唐五代大量“醉梦词”的出现有着特殊的时代原因。政治黑暗、局势动荡的社会境况和南方城市经济的畸形繁荣共同造就了文人们醉生梦死的末世心态和生活方式,也促使他们形成了偏狭的审美趣味。
“Chase drunk dream ” is the common mentality of most literati in the late Tang and Five Dynasties, “drunk dreams ” thus produced in large numbers, become a special landscape of the altar. Needless to say, these words are severely separated from social life and reflect the decadent flow of the spirit of the times. They also show an astonishing limitation and narrowness in art. However, we must also admit that some real emotions expressed by the poets through their dreams of drunkenness and the special artistic realm thus formed are, like the clash of beasts, a certain ideological significance and aesthetic value after all , So can not be erased. The late Tang and the Five Dynasties a large number of “drunk dreams” has a special appearance of the times. Political darkness, unstable social conditions and the abnormal and prosperous economy of the southern cities have all contributed to the end-of-life mentality and lifestyle of literati and forced them to form narrower aesthetic tastes.