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在中国话剧发展史上,1937是一个非常特殊的年份,史称“戏剧年”。它是一个转折点,预示着经过文明戏和爱美剧的长期磨炼摔打,话剧终将突破社会和自我设定的重重束缚,从幼稚走向成熟,脱狭隘而入宽阔,步入一个以职业化、合法化、中国化为标志的“黄金时代”。它也是一次新的整合,内外部各种相关因素将以新的组织形态和功能机制参与现代民族国家的文化建设而成为新的国民戏剧。 1937年,一场伟大的突围开始了。
In the history of Chinese drama development, 1937 is a very special year, known as the “Year of the Opera.” It is a turning point, which indicates that after long-term tempering by civilized play and amateur drama, drama will eventually break through the shackles of social and self-determination, from infancy to maturity, narrowness and broadness into a professional and legal The “Golden Age” marked by China. It is also a new integration. Various internal and external factors will participate in the cultural construction of the modern nation-state with new organizational forms and functional mechanisms and become the new national drama. In 1937, a great breakthrough came.