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有人说,中国式大片肇始于2000年出品、李安执导的奥斯卡最佳外语片《卧虎藏龙》,自2002年底二张(导演张艺谋、制片张伟平)的《英雄》起,中国开始步入大片时代。刚刚过去的2006年,导演冯小刚9月以《夜宴》进军武侠巨制,12月公映、张艺谋导演的《满城尽带黄金甲》则着实让国人们满眼金光灿灿了一把,中国式大片似乎达到了一个高潮。大片、大制作,一方面迎合了国力昌盛之后国人日益高涨的文化消费需求和求大求全的观赏心理中国影视,另一方面更是迎合海外电影市场与片商的口味。在辞旧迎新之际,我刊主要就今年的两部国产大片进行一些概括性的分析,并就大制作的一些普遍规律进行总结,或许对于整体制作水平的上扬有些积极的借鉴意义。
Some people say that the Chinese-style blockbuster originated in 2000, and the best Oscar-based foreign language film “Crouching Tiger, Hidden Dragon” directed by Ang Lee has started its operation in China since the end of 2002 (director Zhang Yimou and producer Zhang Weiping) Into a large era. In 2006, director Feng Xiaogang entered the martial arts system in September with a “Banquet”. In December, Zhang Yimou’s directorial “Curse of the Golden Flower” really made the people glitter with gold. The Chinese-style blockbuster seems to be reached A climax. Large-scale, large-scale production, on the one hand to meet the rising national strength after the rising cultural spending needs and demand for greater viewing of Chinese film and television, the other is to cater to the tastes of overseas film market and film makers. On the occasion of our greetings to the elderly, I mainly conduct some general analyzes on two large domestic films of this year and summarize some general laws on large-scale productions, which may be of some positive reference to the overall production level.